I’ve always been drawn to the human connection in photography, what happens in the space between people, not just in front of the lens. That instinct has shaped how I work and who I’m drawn to photograph.
Over the past thirty years, I’ve worked primarily in fashion and culture image-making, developing a visual style grounded in authenticity. I’m less interested in ‘perfect' performances, more in presence, stripping things back to something true.
Running parallel to my commissioned work is a long-term personal archive, an evolving document of what it means for me to be alive. Construction workers, waitresses, cowboys, fairground workers, and street portraits sit alongside famous people, such as Tilda Swinton, Gary Oldman, and David Lynch. The work doesn’t distinguish between them; it holds them in the same frame, a more democratic view of humanity. This body of work is now being show as a traveling show titled ‘An Unanticipated Delight’.
My work has appeared in numerous publications including, Vogue, Harpers Bazaar, i-D, Visionaire, and The New York Times, and includes campaigns for Fendi, Chanel, Moschino, and Nike, as well as album artwork from Coldplay to Kano.